On the grid… Part 2

1/4 Speed Grid

A few days ago I mentioned that I’d bought a couple of Honl Speedgrids to attach to my Speedlites. The original post can be found here.

I had the opportunity and the pleasure of using one of these, the 1/4 Speedgrid, during my Notting Hill Beauty Shoot and here is an example of what one can achieve with these magic little devices.

As a comparison, I’ve also included a version that I lit with just available light. Both images were shot in the same room with the model standing in exactly the same place. Continue reading On the grid… Part 2 »

Fashion in the City – a sneak preview…

NOTE – The images in this post are virtually straight off the camera with little or no post processing and are therefore not necessarily representative of the finished article.

Had a fantastic shoot this afternoon and got to try out some off-camera flash techniques that I’d been itching to have a go at for a while now.

Here is a sneak preview of some of the images. None of them have had any post processing work apart from a very light adjustment in Lightroom. The images themselves were all shot with a mixture of on-camera and off-camera flash: on-camera fill set relatively low and two off-camera side lights, one each side and slightly behind the subject pointing forwards. The overall effect is similar to the one perfected by Joel Grimes and gives a great look to the images. The harsh, 3D lighting really makes them “pop”. A quick lightroom adjustment for white balance, black level, vibrance, clarity and contrast helps bring them along a little further. Can’t wait to get them through photoshop.

The first image in this set, featuring the model Jade, shows how the two side lights were positioned. This was taken on the Milenium Bridge and was backlit by a very bright sky. There are actually two exposures going on here: flash and ambient. The flash exposure is controlled by the flash power, aperture and the duration of the flash burst. The ambient is controlled by the aperture and the shutter speed. Dialing up the flash power (i.e. adding more light from the flash) requires the aperture to be reduced which in turn will reduce the exposure of the ambient.  For this shot, the flash was dialed up above the ambient to under expose and therefore allow for a richer saturation of the sky whilst simultaneously reducing the brightness of the clouds. The smaller aperture also adds the starburst effect from the two flash guns. If you don’t believe me, try it. Continue reading Fashion in the City – a sneak preview… »

The Castle Bride

A couple of weeks ago I had the privilege or working on a bridal portfolio shoot with a fantastic model, Helene, and her fiancée, Jo. We also had a brilliant and very talented MUA, Louise of Faceinate, on hand too.

We were to be shooting at Guildford Castle, early on a Saturday morning and although is was bitterly cold, thankfully we weren’t to be plagued by the rain or snow of recent weeks. It was very overcast too with nothing but cloud cover overhead making for very soft, diffused light and although it was quite a dull day there was still plenty of light to work with. This when combined with a typical grey January day meant for a reduced colour pallette: mainly very muted greys, greens and browns to work with. Continue reading The Castle Bride »

David Hobby – aka Mr. Strobist

Yet another inspirational photographer is David Hobby, made famous by his amazing use of speedlights for off camera flash. David isn’t just a great photographer he’s also started a huge following, me included. I love the concept of taking my 580ex and setting it up on a light stand for a shoot. This has given me an ultra-lightweight lighting setup that is quick and easy to use on location.

A Little Light Debate…

All through my research and reading this year one argument keeps on coming up, time and time again: studio or available light?

The arguments go along the lines of

“Anyone who insists on only using available light does so because they don’t know how to use flash”

and

“Natural light is beautiful. I don’t need flash because I know how to see available light”

And different variations thereof. I’m not going to take sides here, personally, I don’t care which is better. I’ve created beautiful images using studio flash, daylight and a mixture of flash and daylight.One little pearl of wisdom I came across was “once the light has left the flash it doesn’t care how expensive the light was” (Adam Duckworth, Advanced Lighting Course, April 2009). Such a simple observation and so very true. It is also extendable to include sunlight and moonlight too. Continue reading A Little Light Debate… »